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English: Untitled

1914 Watercolour on Gold paint 7.0 X 10.0 in. (17.8 X 25.4 cms)

Signed in English (Lower left)

Largely a self-taught academic realist, Bhabani Chandra Law (original Bengali surname is Laha), was a landholder, owned a lucrative business and was a prominent socialite. But art was his first love. His works were published in various journals including Aryavarta, Prabasi, Bharatvarsha and Manashi. He contributed articles on art in English and Bengali. He was the Joint President and Founder member of Indian Institute of Art and Industry, Calcutta. In 1919 he became the Founder member of Indian Academy of Fine Art, along with Jogeshchandra Seal, Jamini Roy, Hemendranath Mazumdar and Atul Bose. Bhabani Charan was the Founder and Secretary of Society of Fine Arts, Kolkata, and a Fellow at Royal Academy of Arts, London.

He worked in an art milieu in Calcutta when Hemendranath Mazumdar, Atul Bose and other stalwarts of the time were challenging the validity of ‘nationalist’ objectives of the Bengal School. A widely admired subject painter of his time, Bhabhani Charan was highly skilled in the handling of transparent watercolours and oil paint on canvas. He painted scenes from the Indian epics, Puranic and historical episodes, and literary themes.

Bhabani Charan Law was more popular as the painter of young beauties in admirable postures. His popularity owed much to the photographic naturalism that they projected, bereft of any philosophical bias. The women he painted are warm, desirable and lively, neither stylized nor lacking sensuality. Law’s paintings celebrate the aesthetics of western academic naturalism that ran parallel to the much admired Bengal School.


Law passed away in 1946.
Дата
Источник http://www.delhiartgallery.com/artists/artists_artwork.aspx?artid=154&itemid=3724#
Автор B C Law

Лицензирование

Public domain
This work is in the public domain in India because its term of copyright has expired.

The Indian Copyright Act applies in India to works first published in India. According to the Indian Copyright Act, 1957, as amended up to Act No. 27 of 2012 (Chapter V, Section 25):

  • Anonymous works, photographs, cinematographic works, sound recordings, government works, and works of corporate authorship or of international organizations enter the public domain 60 years after the date on which they were first published, counted from the beginning of the following calendar year (i.e. as of 2024, works published prior to 1 January 1964 are considered public domain).
  • Posthumous works (other than those above) enter the public domain after 60 years from publication date, counted from the beginning of the following calendar year.
  • Any kind of work other than the above enters the public domain 60 years after the author's death (or in the case of a multi-author work, the death of the last surviving author), counted from the beginning of the following calendar year.
  • Text of laws, judicial opinions, and other government reports are free from copyright.
The Indian Copyright Act, 1957 is not retroactive, so any work in which copyright did not subsist when it commenced did not have its copyright restored, and is in the public domain per the Copyright Act 1911.

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