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== Дополнительная литература ==
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* ''Тарананов M. E.'', Новые образы, новые средства, "СМ", 1966, № 1-2.
* ''Тарананов M. E.'', Новая жизнь старой формы, "СМ", 1968, № 6.
* ''Тарананов M. E.'', Новое свидетельство таланта, "СМ", 1968, № 10.
* ''Тарананов M. E.'', Новая тональность в музыке XX века, в сб.: Проблемы музыкальной науки, вып. 1, М., 1972.
* ''Денисов Э. В.'', Додекафония и проблемы современной композиторской техники [1963], в сб.: Музыка и современность, вып. 6, М., 1969.
* ''Холопова В. Н.'', О композиционных принципах скрипичного концерта А. Берга, в сб.: Музыка и современность, вып. 6, М., 1969.
* ''Лаул Р.'', О творческом методе А. Шёнберга, в сб.: Вопросы теории и эстетики музыки, вып. 9, Л., 1969.
* ''Богатырев С. С.'', [Анализ "Вальса" Шёнберга, ор. 23 № 5 (1923)], в кн.: С. С. Богатырев. Исследования, статьи, воспоминания, М., 1972.
* ''Холопов Ю. Н.'', Об эволюции европейской тональной системы, в сб.: Проблемы лада, М., 1972.
* ''Гершкович P. M.'', Тональные истоки Шенберговой додекафонии, "Труды по знаковым системам", Тарту, 1973.
* ''Hauer J. M.'', Vom Wesen des Musikalischen. Ein Lehrbuch der Zwölftonmusik, Lpz.-W., 1920.
* ''Hauer J. M.'', Die Tropen, "Musikblätter des Anbruch", VI, 1924, H. 1.
* ''Stein E.'', Neue Formprinzipien, там же, VI, 1924, September, Sonderheft.
* ''Lissa Z.'', Geschichtliche Vorform der Zwölftontechnik, "Acta musicologica", v. VII, fasc. 1, Lpz., 1935.
* ''Кřenek E.'', Studies in counterpoint, N. Y., 1940.
* ''Leibowitz R.'', Introduction à la musique de douze sons, P., 1949.
* ''Schönberg A.'', Style and idea, N. Y., 1950.
* ''Rufer J.'', Die Komposition mit zwölf Tönen, Kassel-В., 1952, 1966.
* ''Jelinek H.'', Anleitung zur Zwölftonkomposition, Bd 1-2, W., 1952-58.
* ''Vlad R.'', Storia della dodecafonia, Mil., 1958.
* ''Wellesz E.'', The origins of Schönberg's twelve-tone system, Wash., 1958.
* ''Webern A.'', Wege zur neuen Musik, W., 1960.
* ''Вasart A. Rh.'', Serial music. A classified bibliography of writings of twelve-tone and electronic music, * ''Berk.-Los Ang., 1961.
* ''Schäffer В.'', Klasycy dodekafonii, t. 1-2, Kr., 1961-64.
* ''Eimert H.'', Lehrbuch der Zwölftontechnik, Wiesbaden, 1962.
* ''[[Смит Бриндл, Реджинальд|Вrindle R. S.]]'', Serial composition, L., 1966.
* ''Perle G.'', Serial composition and atonality, Berk.-Los Ang., 1968.
* ''Gojowy D.'', Nikolaj Andreevic Roslaveč, ein früher Zwölftonkomponist, "Mf", XXII, 1969, № 1.
* ''Brinkmann R.'', Zur Entstehung der Zwölftontechnik, Kongress-Bericht, Bonn, 1970.
* ''Maegaard J.'', Studien zur Entwicklung des dodekaphonen Satzes bei Arnold Schönberg, Teil 1-3, 1972 (Diss).
* ''Alegant, Brian''. 2010. ''The Twelve-Tone Music of [[Даллапиккола, Луиджи|Luigi Dallapiccola]]''. Eastman Studies in Music 76. Rochester, NY: University of Rochester Press. ISBN 978-1-58046-325-6.
* ''Babbitt, Milton''. 1960. "Twelve-Tone Invariants as Compositional Determinants". ''Musical Quarterly'' 46, no. 2, Special Issue: Problems of Modern Music: The Princeton Seminar in Advanced Musical Studies (April): 246–59.
* ''Babbitt, Milton''. 1961. "Set Structure as a Compositional Determinant". ''Journal of Music Theory'' 5, no. 1 (Spring): 72–94.
* ''Brett, Philip''. "Britten, Benjamin." ''Grove Music Online'' ed. L. Macy (Accessed 8 January 2007), http://www.grovemusic.com.
* ''Chase, Gilbert''. 1987. ''America's Music: From the Pilgrims to the Present'', revised third edition. Music in American Life. Urbana: University of Illinois Press. ISBN 0-252-00454-X (cloth); ISBN 0-252-06275-2 (pbk).
* ''Haimo, Ethan''. 1990. ''Schoenberg's Serial Odyssey: The Evolution of his Twelve-Tone Method, 1914-1928''. Oxford [England] Clarendon Press; New York: Oxford University Press ISBN 0-19-315260-6.
* ''Hill, Richard S.'' 1936. "Schoenberg's Tone-Rows and the Tonal System of the Future". ''Musical Quarterly'' 22, no. 1 (January): 14–37.
* ''Lansky, Paul, George Perle, and Dave Headlam''. 2001. "Twelve-note Composition". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
* ''[[Ton de Leeuw|Leeuw, Ton de]]''. 2005. ''Music of the Twentieth Century: A Study of Its Elements and Structure'', translated from the Dutch by Stephen Taylor. Amsterdam: Amsterdam University Press. ISBN 90-5356-765-8. Translation of ''Muziek van de twintigste eeuw: een onderzoek naar haar elementen en structuur''. Utrecht: Oosthoek, 1964. Third impression, Utrecht: Bohn, Scheltema & Holkema, 1977. ISBN 90-313-0244-9.
* ''Malipiero, Riccardo'' ([[Малипьеро, Риккардо|Риккардо Малипьеро]]). ''Guida alla Dodecafonia'', 1961. Ricordi, Milano.
* ''Neighbour, Oliver''. 1955. "The Evolution of Twelve-Note Music". ''Proceedings of the Royal Musical Association'', 81st Sess. (1954–1955): 49–61.
* ''Perle, George''. 1977. ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern'', fourth edition, revised. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-03395-7
* ''Perle, George''. 1991. ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern'', sixth edition, revised. Berkeley: University of California Press. ISBN 978-0-520-07430-9.
* ''Reti, Rudolph''. 1958. ''Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music''. Westport, Connecticut: Greenwood Press. ISBN 0-313-20478-0.
* ''Rufer, Josef''. 1954. ''Composition with Twelve Notes Related Only to One Another'', translated by [[Humphrey Searle]]. New York: The Macmillan Company. (Original German ed., 1952)
* ''Schoenberg, Arnold''. 1975. ''Style and Idea'', edited by Leonard Stein with translations by Leo Black. Berkeley & Los Angeles: University of California Press. ISBN 0-520-05294-3.
**207–208 "Twelve-Tone Composition (1923)"
**214–45 "Composition with Twelve Tones (1) (1941)"
**245–49 "Composition with Twelve Tones (2) (c.1948)"
* ''Solomon, Larry''. 1973. "New Symmetric Transformations", ''Perspectives of New Music'' 11, no. 2 (Spring-Summer): 257–64.
* ''Whittall, Arnold''. 2008. ''The Cambridge Introduction to Serialism''. Cambridge Introductions to Music. New York: Cambridge University Press. ISBN 978-0-521-86341-4 (cloth) ISBN 978-0-521-68200-8 (pbk).
* ''Covach, John''. 1996. "The Zwölftonspiel of Josef Matthias Hauer". ''Journal of Music Theory'' 36, no. 1 (Spring): 149–84.
* ''Covach, John''. 2000. "Schoenberg's 'Poetics of Music', the Twelve-tone Method, and the Musical Idea". In ''Schoenberg and Words: The Modernist Years'', edited by Russell A. Berman and Charlotte M. Cross, New York: Garland. ISBN 0-8153-2830-3
* ''Covach, John''. 2002, "Twelve-tone Theory". In ''The Cambridge History of Western Music Theory'', edited by Thomas Christensen, 603–27. Cambridge: Cambridge University Press. ISBN 0-521-62371-5.
* ''Šedivý, Dominik''. 2011. ''Serial Composition and Tonality. An Introduction to the Music of Hauer and Steinbauer'', edited by Günther Friesinger, Helmut Neumann and Dominik Šedivý. Vienna: edition mono. ISBN 3-902796-03-0
* ''Starr, Daniel. 1978. "Sets, Invariance and Partitions". ''Journal of Music Theory'' 22, no. 1 (Spring): 1–42
* ''[[Вуоринен, Чарльз|Wuorinen, Charles]]''. 1979. ''Simple Composition''. New York: Longman. ISBN 0-582-28059-1. Reprinted 1991, New York: C. F. Peters. ISBN 0-938856-06-5.
== Дополнительные ссылки ==
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